If you haven’t already booked your tickets and marked off your schedules, then hurry up because you only have a few days left to enjoy this year’s carefully selected Durban International Film Festival (DIFF) picks. As an avid fan of DIFF, what I often forget is the fact that this is an international festival. While it endeavours to develop and support local cinema, it also showcases international films that many of us may never hear about if not for the festival.
So DIFF, I thank you for bringing The Here After onto our local screens. This Swedish gem was not only thought-provoking but leaves its imprint on you well after the viewing. Set in a small Swedish town, it captures the complexity and fragility of fear. The story revolves around a juvenile offender, who is released back into his skeptical community after serving his sentence. Little is known of his crime during the first half of the film and the audience is left to decipher the severity of the crime based on his tension-filled interactions.
The Here After is a sometimes overly ambitious film as it tries to delve into far too much subject matter in a short period of time while still trying to focus on character development. The young lead actor gives a solid performance as a young offender, who does not seem to have fully rehabilitated, but is trying very hard to step right back into his old life. He is supported by excellent performances from his screen father – a man caught between his own distrust of his son and his parental obligation – and his pre-pubescent brother, who is trying to create his own identity separate from his family’s deep issues.
The film ultimately opens up interesting debates on the judicial and penal systems as well as society’s willingness to give offenders second chances. It’s only flaw is that it wanted to draw on a multitude of significant subject matter at the same time including treatment of senior citizens in modern society, bullying, family support, retribution, guilt, grief and closure. Overall, this was a very worthwhile viewing with great cinematography, which only added to the grimness of the story. It leaves you questioning your core beliefs and sense of humanity.
To learn more about The Here After or one of the many other fascinating DIFF productions (including a few VR productions), visit www.durbanfilmfest.co.za
The girls from South Africa in The girl from St Agnes
If you havenāt yet watched The Girl from St Agnes from start to finish, then what have you been doing this past week?
Showmax released this 8-part murder mystery series on 30 January and it easily broke the record for the most unique viewers in 24 hours ā proving its binge-worthiness and showing how ready the world is for South African English TV. I for one, have been ready for years, and so instead of being actively social last friday night, I stayed at home with my mother and we started and unintentionally finished the entire show. Ā
My overtaxed mother may have been falling asleep on the couch during the opening credits but soon she was resurrected by the shocking plot twists and many of what the TV ad describes as āadmissions of guiltā. Set at an all-girlsā boarding school in the KZN midlands, schoolgirl Lexi Summerveld (Jane de Wet) falls to her death and the case is dismissed as suicide. But drama teacher Kate Bellard (Nina Milner) remains unconvinced and furthers the investigation herself, exposing secrets, lifting veils and ultimately showing that the school and all who attend are not what she (and we) once thought. Transfixing and professional, I was blown away by this show and my poor friends will vouch for how itās all Iāve been talking about lately.
Having lived in California this past year, I was ready to give up on launching a career in my own beautiful country. But TGFSA has truly restored my hope in South African film and media and more specifically, the hope for our female writers, producers and directors. The team that created, filmed and funded the show is an all-female collaboration which is rare, even for Hollywood. Not only are the writers, directors and producers all women, but the story focuses more on the lives and struggles of the South African female experience too. Itās the men and the schoolboys who are villainous and destructive while the girls are the victims who bear the brunt of their perverted or unfaithful husbands, abusive boyfriends, neglective fathers, or disappointing sons.
The notorious āboys will be boysā line is referenced at least twice, hinting at its persistent circulation in patriarchal South Africa. But even as each suspect (and there are many) that Kate suspects is a male, each also becomes a red herring, making the victim, the murderer and the detective an all-female game too. Perhaps what this is saying is that we women need to work together and support each other more. And perhaps we need to be more courageous, less trustful and dependent, and own our individual narratives just like S.A. men have the learned confidence to do.
What I also really enjoyed is the political landscape that the show doesnāt choose to ignore. Lines like āyou peopleā, ācolonialistsā, and allusions to farm burning, land stealing and robberies pinpoint the present South African experience and highlight the racial tension that is still very much alive today; even amongst the integrated and somewhat progressive schoolgirls at St Agnes. This exposes the backlash and the influence our parentsā generation still has on us, however the small progress weāve made so far is also shown by the (albeit few) mixed friendships and relationships, peace treaties and apologies, as well as a well-mixed cast even if *sigh* the main characters are still mostly white.
I guess The Girl from St Agnes should be regarded as a snapshot of present progression and should not be expected to transcend all boundaries at once ā as we still have a long way to go ā but rather we should choose to focus on the pride of making it this far in South African English television and in non-conservative material at that. Sure, itās at first unsettling to hear our accent on the screen, and maybe even more so when itās talking rape and murder and suicide (and and and). But after a while it hits that this is our reality. We are no longer watching the far-fetched American world with its foreign accent, but instead we are consuming our own unique demeanor and personally relatable experiences. As an ex-all girlsā catholic school girl myself, I feel united in my own story and no longer feel the āfomoā of American High School as intensely as I used to.
Iām so excited for the future of South African TV and I hope I get the chance to join in someday, too. And you, fellow unenthused and disillusioned writer/actor/director/any form of creative… you should be too.
If you are a lover of Durban and you hear of the word ‘Suncoast’, you would automatically be thinking: Casino and Entertainment World – well, if it was only ‘Casino’… then good job!
BUT it’s not all about the casino or the restaurants… it’s also about the movies, which brings us to the point of this post where we review Deadpool 2 at Suncoast’s Cinecentre.
FUN FACT: Cinecentre is part of the Avalon Group which is South Africaās largest and oldest independent Cinema Exhibition and Entertainment Company – they have been a pioneer of importing Bollywood movies to South Africa for over 70 years.
DEADPOOL 2: REVIEW
DP 2’s elaborate anti-marketing campaign has been simply brilliant by bashing popular pop-culture while also making fun of itself.Ā Ryan Reynolds,Ā who plays both DP and Juggernaut, has once again pulled out all the stops to
deliver an entertaining and hysterically funny anti-hero flick that willĀ appeal to all DP 1 fans.
Storyline: This blockbuster brings together X-Force, Bill Skarsgard, Terry Crews and Brad Pitt (who’s out of sight), a team of misfit hero’s on aĀ mission to save a troubled mutant boy (Russell “Rusty” Collins) from a timeĀ traveling cyborg (Cable), played by Josh Brolin, who lugs around a beast ofĀ a gun and other advanced weaponry. But it doesn’t end as you may think.
The movies ability to break down the fourth wall without skipping a beat is what makes this film special. This brilliant idea that DP knows heĀ is a fictional character living in a comic book universe could even beĀ expanded upon in future installments, and hopefully it will be. All DP’sĀ literal back breaking and head splitting weirdness mixed with a kind of super consciousness of his own reality should keep all die hard comic bookĀ movie fans coming back time and again.
Expect some rib-tickling one-liners, plenty of trash talkingĀ and loads of action. DP 2 scores and solid 8 out of 10, so book your tickets now at CINECENTRE!
Suncost Casino and Entertainment World
Centrally located at the northern end ofĀ Durban‘sĀ Golden Mile,Ā Suncoast is always a hub of activity. Not only a great spot to visit if you are a local but for tourists to our beautiful city as well. Currently under construction, we found that parking was a mission and running across the lot in the rain not very pleasant, but this is our only negative about our Suncoast experience. On a good note, a little birdie says that part of the new building will be undercover parking – which we think is fantastic!
We could not wait to go back to Suncoast Casino to experience yet another blockbuster movie, only this time it was none other than Pacific Rim: Uprising!
We made our way into Suncoast, at a fast pace as we did not want to be late for the movie. The humming atmosphere at CineCentre proved that we were not the only ones excited for this experience, as families and couples were also going in to watch Pacific Rim: Uprising. We also managed to grab a quick popcorn and slushie, emphasis on āquickā, not to mention that divine popcorn spice we love so much!
With all that in hand, it was time to make our way into the movie, and we were just in time! Getting to our seats, to add to our excitement this movie was in 3D, so 3D glasses were required.
Being quite a tomboy growing up, I loved reading comics and graphic novels and collected them on top of that. All things Science-fiction, Fantasy, Marvel or DC, I was your girl! Of course it came to no surprise when I saw the first Pacific Rim and fell in love with it! So you can understand my great enthusiasm for this one!
My Overall on Pacific Rim: Uprising
A-MAZ-ING! The CGI blew my mind and the storyline had quite a twist!